{"id":71,"date":"2017-10-19T08:35:49","date_gmt":"2017-10-19T08:35:49","guid":{"rendered":"http:\/\/temporaryart.org\/workawork\/?page_id=71"},"modified":"2023-03-05T09:57:46","modified_gmt":"2023-03-05T09:57:46","slug":"publications","status":"publish","type":"page","link":"http:\/\/temporaryart.org\/workawork\/?page_id=71","title":{"rendered":"Publications, lectures, and exhibitions"},"content":{"rendered":"<h3>2021<\/h3>\n<p>Hansson, Karin, Nils Claesson och George Kentros (eds) (2021).\u00a0\u00a0<a href=\"http:\/\/temporaryart.org\/workawork\/wp-content\/uploads\/2023\/03\/AfterWorklwsrc.pdf\"><em>After Work.<\/em><i>\u00a0<\/i>Ruin F\u00f6rlag (ISBN: 978-91-88241-17-7)<\/a>.<\/p>\n<p>Andersson Broms, \u00c5sa, Shiva Anoushirvani, Nils Claesson, Karin Hansson, Per Hasselberg, \u00a0George Kentros, et al (2021) <a href=\"https:\/\/konstakademien.se\/events\/forskningsprojekt\/\">Love, Bodies and Work,<\/a> Exhibition at Konstakademin \u00a026\/3 &#8211; 9\/5 2021.<\/p>\n<p><span style=\"font-weight: 400;\">Hansson, Karin\u00a0(2020-2021) Lectures about the artistic methodology used in Work a work, in different contexts such as Stockholm University,\u00a0The Royal College of Music in Stockholm and Stockholm University of Fine Art among others.<\/span><\/p>\n<h3>2020<\/h3>\n<p>Hansson, Karin\u00a0(2020).\u00a0<a href=\"https:\/\/www.dagensarena.se\/essa\/jag-ar-inte-en-robot\/\">Jag \u00e4r inte en robot! Sj\u00e4l-arbetets estetik online<\/a> [I am not a robot! Aesthetics of Soul-work online],\u00a0<i>in <\/i>red. Michael Godhe and\u00a0Daniel Bod\u00e9n,<i> Automation,\u00a0<\/i>Nordic Academic Press.<\/p>\n<p>Hansson, Karin\u00a0(2020).\u00a0<a href=\"https:\/\/www.othereducation.org\/index.php\/OE\/article\/view\/256\">Remembering work:\u00a0Collective Memory-Work as a means to develop artistic research<\/a>. <i>Other Education<\/i>, Vol 9 No 1 (2020): Remembering.<\/p>\n<h3>2019<\/h3>\n<p>Andersson Broms, \u00c5sa, Shiva Anoushirvani, Nils Claesson, Karin Hansson, Per Hasselberg, \u00a0George Kentros (2019) <a href=\"http:\/\/temporaryart.org\/workawork\/?page_id=273\"><em>After work<\/em>,<\/a>\u00a0Performance and exhibition at Fylkingen \u00a030 Mar 2019.<\/p>\n<p>Andersson Broms, \u00c5sa, \u00a0Shiva Anoushirvani, Kalle Brolin, Aleksei Borisionok, Nils Claesson,\u00a0Per Hasselberg, Karin Hansson, \u00a0George Kentros, Bogdan Szyber, Olia Sosnovskaya, Nicolay Spesivtsev, Dzina Zhuk, et al (2019) <a href=\"http:\/\/temporaryart.org\/workawork\/?page_id=177\">The Meaning of Work<\/a><a href=\"http:\/\/temporaryart.org\/workawork\/?page_id=83\">,<\/a> Workshop at the\u00a0Royal Institute of Art, KTH, January 23, 2019.<\/p>\n<p>Andersson Broms, \u00c5sa (2019). Scenanvisningen [Stage Direction]. Solo show at <a href=\"https:\/\/idigalleri.org\/tag\/asa-andersson-broms\">ID:I Galleri<\/a>.<\/p>\n<p>Andersson Broms, \u00c5sa, Broms, Christopher (2019), Undermarken [Underground]. Performance. <a href=\"https:\/\/idigalleri.org\/tag\/asa-andersson-broms\">ID:I Galleri<\/a>.<\/p>\n<p>Andersson Broms, \u00c5sa (2019). NEJ! Part of research and exhibition project <a href=\"https:\/\/judiskamuseet.se\/utforska\/traces-of-existence\/\">Traces of Existence<\/a> and permanent installation at <a href=\"https:\/\/judiskamuseet.se\/\">Jewish Museum<\/a>, Stockholm.<\/p>\n<p><span style=\"font-weight: 400;\">Anoushirvani, Shiva (2019) Artist salary now! Lecture at konstfr\u00e4mjandet Sk\u00e5ne, Malm\u00f6, 4 October 2019<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Anoushirvani, Shiva (2019) Loves labour Zero, Performance, <\/span><i><span style=\"font-weight: 400;\">After Work,<\/span><\/i><span style=\"font-weight: 400;\"> Fylkingen, 30 March 2019.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Anoushirvani, Shiva (2019) Theory and research in practice, lecture at Gerlesborgsskolan in Stockholm 25 November 2019\u00a0<\/span><\/p>\n<p>Hansson, Karin,\u00a0\u00c5sa\u00a0Andersson Broms, Shiva Anoushirvani, Nils Claesson ,\u00a0Per Hasselberg, \u00a0George Kentros (2019). <a href=\"https:\/\/parsejournal.com\/article\/5992\/\">Artist\u2019s Salary Now!<\/a> <i>Parse Journal<\/i>, <i>Spring<\/i>(9).<\/p>\n<p>Hasselberg, Per (2019) Space City Culture: Workshop\u00a0in H\u00f6kar\u00e4ngen f\u00f6r Kulturgeografin, Stockholms Universitet Jan 22, 2019.<\/p>\n<p>Hasselberg, Per (2019) Lecture at M\u00e5ngfaldens dag, Vinterviken Liljeholmen Maj 22, 2019.<\/p>\n<p>Hasselberg, Per (2019) Lecture at CityZenJam, Stockholm Augusti 28, 2019.<\/p>\n<p>Hasselberg, Per (2019) Workshop at arkitekturskolan KTH, Stockholm Augusti 28, 2019.<\/p>\n<p>Hasselberg, Per (2019) Lecture about Kulturkalkylen at Septemberoperationen, K\u00f6ttinspektionen, Uppsala\u00a0September 14, 2019,\u00a0Stockholm Business arena, Stockholm September 18, 2019,\u00a0region Uppsala, Uppsala November 28, 2019.<\/p>\n<p>Hasselberg, Per (2019) Presentation of H\u00f6kar\u00e4ngens Stadsdelsr\u00e5d, Konsthall C, Stockholm September 29, 2019.<\/p>\n<p>Hasselberg, Per (2019) Roundtable talks on broader recruitment to the artistic programs, Stockholm. Oktober 18, 2019.<\/p>\n<p>Hasselberg, Per (2019) External support to work-related processes, G\u00e4vle kommun, Kulturavd, November 13, 2019<\/p>\n<p class=\"Frval\"><span lang=\"EN-US\">Kentros, George (2019) \u201dThis Violin Must Die\u201d, lecture performance, Fylkingen, March 30 2019.<\/span><\/p>\n<p class=\"Frval\"><span lang=\"EN-US\">Kentros, George; Petersson, Mattias (2019), premieres of four works for violin, Buchla and live electronics by Age Veeros, Ekke V\u00e4strik, Anthony Dunstan and Marian Levaja, Estonian National School of Art, ISCM Festival, Tallin, Estonia, May 4, 2019<\/span><\/p>\n<p class=\"Frval\"><span lang=\"EN-US\">Kentros, George (2019), \u201dThis Violin Must Die\u201d, lecture performance, Teater Cinnober, G\u00f6teborg, May 26, 2019<\/span><\/p>\n<p class=\"Frval\">Kentros, George; Petersson, Mattias; Svensdotter, Anna; Hellgren, My; Olsson, Henrik; Ull\u00e9n, Lisa (2019), Tawat al Hawari, hourlong work by Dror Feiler, K\u00f6ttinspektionen, Uppsala, September 14, 2019<\/p>\n<p class=\"Frval\"><span lang=\"EN-US\">Kentros, George, and Petersson, Mattias (2019) \u201dreBiber\u201d, Environment 0g, Osaka, November 4, 2019.<\/span><span lang=\"EN-US\">\u00a0<\/span><\/p>\n<p class=\"Frval\"><span lang=\"EN-US\">Kentros, George (2019), \u201dThis Violin Must Die\u201d, lecture performance, National Conservatory Bucharest, November 10, 2019<\/span><\/p>\n<p class=\"Frval\"><span lang=\"EN-US\">\u00a0<\/span><span lang=\"EN-US\">Kentros, George; Petersson, Mattias (2019), \u201dunRavelled\u201d, Between festival for Technology and music, Royal Academy of Music, November 12, 2019<\/span><\/p>\n<p class=\"Frval\"><span lang=\"EN-US\">Christensen, Greta, S\u00f8rensen, Camilla, Kentros, George (2019), recordings and musical arrangements for the vinyl release of \u201dthe Magic of&#8230;\u201d by Vinyl- terror- and- horror, EMS, Stockholm. November 19-22\u00a0 2019<\/span><\/p>\n<p class=\"Frval\"><span lang=\"EN-US\">Molitor, Claudia; Rennie, Tullis; Kentros, George (2019), mixed media production \u201dDecay\u201d, Fylkingen, Stockholm, November 22, 2019<\/span><\/p>\n<h3>2018<\/h3>\n<p>Andersson Broms, \u00c5sa, \u00a0Shiva Anoushirvani, Nils Claesson ,\u00a0Per Hasselberg, Karin Hansson, \u00a0George Kentros, et al (2018) <a href=\"http:\/\/konstnarslon.nu\">Artist Salary Now!<\/a>\u00a0<a href=\"http:\/\/temporaryart.org\/workawork\/?page_id=83\">,<\/a>\u00a0Exhibition and seminars at Tegen Gallery, Sept\u00a029 \u00a0\u2013 Oct 21 2018.<\/p>\n<p>Andersson Broms, \u00c5sa, Shiva Anoushirvani,\u00a0Nils Claesson , Kajsa Dahlberg, Marie Gavois, et al (2018)\u00a0<a href=\"http:\/\/temporaryart.org\/workawork\/?page_id=83\">Performing work in the 21st Century,<\/a>\u00a0Workshop at the\u00a0Royal Institute of Technology, KTH, January 24.<\/p>\n<p>Andersson Broms, \u00c5sa, Gamstorp, Christina (2018). <a href=\"https:\/\/judiskamuseet.se\/utforska\/traces-of-existence\/den-judiska-kraftskivan\/\">Traces of Existence &#8211; Kr\u00e4ftskivan<\/a> Stadsteatern, Jewish Museum, Stockholm, October 2018.<\/p>\n<p>Andersson Broms, \u00c5sa, Gamstorp, Christina (2018). <a href=\"https:\/\/judiskamuseet.se\/utforska\/traces-of-existence\/sociala-meddelanden\/\">Traces of Existence \u2013 Sociala meddelanden<\/a>. Curator, project leader for exhibition with artist Held\u00e8n, Johannes, Arbetslivsf\u00f6rvaltningen Bor\u00e5s, Bor\u00e5s Konstmuseum, Textilmuseet Bor\u00e5s, Jewish Museum, Stockholm, August 2018.<\/p>\n<p>Andersson Broms, \u00c5sa, Gamstorp, Christina (2018). <a href=\"https:\/\/judiskamuseet.se\/utforska\/traces-of-existence\/what-to-do-on-a-rainy-day\/\">Traces of Existence \u2013 What to do on a Rainy Day?<\/a>Curator, project leader for exhibition with artist Laviv, Hila, H\u00e4lsingg\u00e5rden Falun, Dalarnas Museum, Falun, Jewish Museum, Stockholm, May 2018.<\/p>\n<p>Andersson Broms, \u00c5sa, Gamstorp, Christina (2018). <a href=\"https:\/\/judiskamuseet.se\/utforska\/traces-of-existence\/kattun-ar-cotton\/\">Traces of Existence \u2013 Kattun \u00e4r Cotton<\/a>, Jewish Museum, Stockholm June 2018.<\/p>\n<p>Andersson Broms, \u00c5sa, Gamstorp, Christina (2018). <a href=\"https:\/\/judiskamuseet.se\/utforska\/traces-of-existence\/traces-of-existence-medborgarspelet\/\">Traces of Existence \u2013 Medborgarspelet<\/a>. Blekinge Tidning, Blekinge L\u00e4nsmuseum, Karlskrona, Jewish Museum, Stockholm April 2018.<\/p>\n<p><span style=\"font-weight: 400;\">Anoushirvani Shiva, Eva Johansson (2017), a workshop on everyday hierarchy, <\/span><i><span style=\"font-weight: 400;\">Det subtila maktmissbruket- vardagsv\u00e5ld<\/span><\/i> <span style=\"font-weight: 400;\">Royal institute of art, Stockholm, 22 March 2018\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Anoushirvani Shiva, (2018),The exhibition <\/span><i><span style=\"font-weight: 400;\">Yaaddasht- Notes on memories in relation to political events. Yaaddasht- Where the landscape of memory takes on &#8211; Memories of political events. <\/span><\/i><span style=\"font-weight: 400;\">Gallery Gerlesborg, 14 November-19 December Bohusl\u00e4n\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Anoushirvani Shiva, (2018), Panel about the myth of the genius artist at the art schools, Bonniers konsthall, Stockholm, 21 March 2018.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Anoushirvani Shiva, Patricia Lorenzoni. (2018) The heritage memory, Minnet vi \u00e4rvde, seminar, Gerlesborgsskolan i Bohu<\/span><span style=\"font-weight: 400;\">sl\u00e4n. 24-25 November 2018\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Anoushirvani.shiva, Roxy Farhat, Ninos Josef, Estella Burga, Joyce Ip, Nasim Aghili, Ahang Bashi (2018), Seminar about the work conditions for artists. Gallery Tegen 2, September 2018.<\/span><\/p>\n<p>Hansson, Karin (2018), &#8220;Art is to walk on water&#8221;, Lecture at\u00a0 G\u00e4vleborgs L\u00e4ns Landsting, yearly research conference, G\u00e4vle October 2017.<\/p>\n<p>Kentros, George: Lecture at Ingesund Music School, \u201dAll Music is New Music\u201d, 21 September 2018.<\/p>\n<p>Claesson Nils (2018) The honor of work, Filmform,\u00a0May 8 2018.<\/p>\n<p>Hansson, Karin (2018), Lecture at\u00a0 Stockholms L\u00e4ns Landsting, Kulturf\u00f6rvaltningen, March 14.<\/p>\n<p class=\"Frval\"><span lang=\"EN-US\">Christensen, Greta, S\u00f8rensen, Camilla, Kentros, George (2018), musical arrangements for the installation Off Track by Vinyl- terror- and- horror, SMAC, Berlin, November 25, 2018.<\/span><\/p>\n<p>Kentros, George; Petersson, Mattias; Wikstr\u00f6m, Qarin; Boyacioglu, Daniel (2018): \u201ds\u00e5 som det alltid har varit har det aldrig varit\u201d, interpretations of Carl Michael Bellman by the group reBell, March 2018 (<a href=\"http:\/\/re-bell.se\/\">re-bell.se<\/a>).<\/p>\n<p>Kentros, George; Christensen, Greta; S\u00f8rensen, Camilla (2018), musical arrangements and performance for the art show \u201dThe Magic of Vinyl Terror and Horror\u201d p\u00e5 den Frie, Copenhagen, June 21-August 20 2018.<\/p>\n<p>Hansson, Karin, Sonia Hedstrand (2018) &#8220;Genius, power structures, and artistic freedom&#8221;, lecture at the Royal Institute of Art in Stockholm, January 2018.<\/p>\n<p>Hansson, Karin, (2018) &#8220;Some useful theories, concepts, and strategies&#8221;, lecture at the Royal Institute of Art in Stockholm, January 2018.<\/p>\n<p>Hasselberg, Per (2018) Workshop about volunteer work today, Malm\u00f6, Konstfr\u00e4mjandet Sk\u00e5ne, Jan 20, 2018<\/p>\n<p>Hasselberg, Per (2018) Lecture: Participatory work, Grannskapskontoret, H\u00f6kar\u00e4ngen, Feb 15, 2018,\u00a0Malm\u00f6 Stad visiting H\u00f6kar\u00e4ngen, Mars 14, 2018<\/p>\n<p>Hasselberg, Per (2018) lecture: Democracy, Culture, Stadsdelsr\u00e5d, Sthlms Kulturf\u00f6rvaltning\u00a0och Rinkeby\/Kista Sdf, Mars16, 2018<\/p>\n<p>Hasselberg, Per (2018) Lecture for F\u00e4rgfabriken in the Palermo collaboration: Co-Working, April 9, 2018<\/p>\n<p>Hasselberg, Per (2018) Walking lecture: Democracy at work, H\u00f6kar\u00e4ngens dag, Maj 26, 2018<\/p>\n<p>Hasselberg, Per (2018) Presentation: volunteer work as art, Uppsala Konsert o Kongress, Konstfr\u00e4mjandet Uppland, Maj 29, 2018<\/p>\n<p>Hasselberg, Per (2018) Presentation and workshop: #F\u00e4ltkontoret, Bomassan, H\u00f6kar\u00e4ngens Stadsdelsr\u00e5d \/ Konsthall C, Juni 25, 2018<\/p>\n<p>Hasselberg, Per (2018) Walking lecture: H\u00f6kar\u00e4ngen, InterCult-Arkangelsk:Wood is Cool, Okt 17, 2018<\/p>\n<p>Hasselberg, Per (2018) Workshop: Cultural policies \u00a0Gnesta kommun, Elektron, Gnesta, Nov 20, 2018<\/p>\n<p>Hasselberg, Per (2018) Workshop: Culture centre at Arkangelsk, Akangelsk, Nov 24, 2018<\/p>\n<p>Hasselberg, Per (2018) Lecture: Wood is Cool, Artic Art Forum, Akangelsk, Nov 25, 2018<\/p>\n<p>Hasselberg, Per (2018) Workshop: How does Haningen become a place for artists? Haningen Kommun, Dec 7, 2018<\/p>\n<h3>2017<\/h3>\n<p>Andersson Broms,\u00a0\u00c5sa,\u00a0Shiva Anoushirvani,\u00a0\u00a0Karin Hansson, Per Hasselberg,\u00a0 Kentros, and Nils Claesson\u00a0(2017), project presentation at the annual Research Week at the Royal Institute of Art in Stockholm, January 23-29.<\/p>\n<p>Andersson Broms, \u00c5sa, Gamstorp, Christina (2017). <a href=\"https:\/\/judiskamuseet.se\/utforska\/traces-of-existence\/det-stora-judedopet\/\">Traces of Existence \u2013 Det stora judedopet<\/a>., Tyska Kyrkan, Stockholm. Jewish Museum, Stockholm October 2017.<\/p>\n<p><span style=\"font-weight: 400;\">Anoushirvani Shiva, (2017) Panel talks on Metoo and the art institutions responsibilities, Moderna Museet, 12 December 2017.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Anoushirvani Shiva, Macarena Dusant, Paula Urbano, Estella Burga,(2017), What we learned from Documenta 14 and the Swedish art critique, Kultwatch 15 September 2017\u00a0<\/span><\/p>\n<p>Hansson, Karin (2017), &#8220;Presentation format as goal or means&#8221;, \u00a0presentation in the\u00a0artistic research conference at Stockholm University of the Arts, November 2017.<\/p>\n<p>Hansson, Karin (2017), &#8220;Technologies and borders&#8221;, lecture at the conference Stora framtidsdagen, organised by\u00a0Institutet f\u00f6r Framtidsstudier, Dagens Arbete och Forskning&amp;Framsteg.<\/p>\n<p>Hansson, Karin (2017), &#8220;Art as research methodology&#8221;, project presentation in the\u00a0workshop Perspektiv p\u00e5 digitalt driven forskning inom humaniora, Royal Institute of Technology, KTH, September 15.<\/p>\n<p>Hansson, Karin (2017) &#8220;From (x)actory\u00a0to\u00a0Work-a-work\u2028Art as research methodology&#8221;, project presentation in the context of participatory methodologies\u00a0in the seminar\u00a0Participatory Design Today,\u00a0Institutionen f\u00f6r data- och systemvetenskap (DSV) Stockholms Universitet, September 13.<\/p>\n<p>Hansson, Karin (2017) &#8220;<span lang=\"EN-US\">Articulating Roles and Relations in Creative Participatory Approaches&#8221;.\u00a0Paper presentation in the \u00a0workshop Creative and Inventive Methods in CSCW Research, <em>the European conference on Computer-Supported Cooperative Work \u2013 ECSCW 2017, <\/em>Sheffield Aug 28 \u2013 Sept \u00a01<em>.<\/em><\/span><\/p>\n<p>Hansson, Karin, Thomas Ludwig, Tanja Aitamurto.\u00a0From alienation to relation: Examining the modes of production in crowdsourcing,<em>the European conference on Computer-Supported Cooperative Work \u2013 ECSCW 2017, <\/em>Sheffield Aug 28 \u2013 Sept \u00a01<em>.<\/em><\/p>\n<p>Hasselberg, Per (2017) Lecture about volunteer work in the arts in Sweden, Konstfack, Feb 13, 2017<\/p>\n<p>Hasselberg, Per (2017) Lecture about creative work methods, Gerslesborgsskolan, Bohusl\u00e4n, April 19, 2017<\/p>\n<p>Hasselberg, Per (2017) Walking lecture about volunteer work and democracy, H\u00f6kar\u00e4ngen Konsthall C, Maj 20, 2017<\/p>\n<p>Hasselberg, Per (2017) Lecture: Bomassan\u00a01940-2040, H\u00f6kar\u00e4ngsskolan, Stadsdelsr\u00e5det, Okt 19, 201<\/p>\n<p>Kentros, George (2017), Article about Ben Lerner\u2019s book \u201dThe Hatred of Poetry\u201d, <em>Nutida Musik,<\/em> December 2017.<\/p>\n<p>Kentros, George; Petersson, Mattias; Ull\u00e9n, Lisa; Olsson, Henrik; Hellgren, My; Svensdotter, Anna (2017); tour of Sweden with ensemble Gahlmm, premieres of several new works for sextet, November 2017.<\/p>\n<p>Kentros, George; Petersson, Mattias (2017): first showing of the work W314Z, at the Sound of Stockholm festival, November 2017.<\/p>\n<p>Kentros, George (2017), review of sonic aspects of Documenta (Athens), <em>Periodical Nutida Musik<\/em>, October 2017.<\/p>\n<p>Kentros, George; Petersson, Mattias et al (2017) C3: Club Contemporary Classical, EU concerts tour of Germany, Holland, and Estonia performing the work reBiber (<a href=\"http:\/\/www.c3festival.com\/\">http:\/\/www.c3festival.com<\/a>), March-April 2017.<\/p>\n<p>Kentros, George; Christensen, Greta; S\u00f8rensen, Camila; Burkey, Ingvild: preparatory work on the concert\/sound installation \u201dPerpetuity\u201d in Berlin between January and June 2017.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>2021 Hansson, Karin, Nils Claesson och George Kentros (eds) (2021).\u00a0\u00a0After Work.\u00a0Ruin F\u00f6rlag (ISBN: 978-91-88241-17-7). Andersson Broms, \u00c5sa, Shiva Anoushirvani, Nils Claesson, Karin Hansson, Per Hasselberg, \u00a0George Kentros, et al (2021) Love, Bodies and Work, Exhibition at Konstakademin \u00a026\/3 &#8211; 9\/5<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=\/wp\/v2\/pages\/71"}],"collection":[{"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=71"}],"version-history":[{"count":26,"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=\/wp\/v2\/pages\/71\/revisions"}],"predecessor-version":[{"id":365,"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=\/wp\/v2\/pages\/71\/revisions\/365"}],"wp:attachment":[{"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=71"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}