{"id":167,"date":"2018-04-27T07:30:12","date_gmt":"2018-04-27T07:30:12","guid":{"rendered":"http:\/\/temporaryart.org\/workawork\/?page_id=167"},"modified":"2019-03-04T18:19:59","modified_gmt":"2019-03-04T18:19:59","slug":"the-honor-of-work","status":"publish","type":"page","link":"http:\/\/temporaryart.org\/workawork\/?page_id=167","title":{"rendered":"The honor of work 8\/5 2018"},"content":{"rendered":"<h1><a href=\"http:\/\/temporaryart.org\/workawork\/wp-content\/uploads\/2018\/04\/karin_arbetets_glory.jpg\"><img loading=\"lazy\" class=\"size-medium wp-image-171 alignright\" src=\"http:\/\/temporaryart.org\/workawork\/wp-content\/uploads\/2018\/04\/karin_arbetets_glory-212x300.jpg\" alt=\"\" width=\"212\" height=\"300\" srcset=\"http:\/\/temporaryart.org\/workawork\/wp-content\/uploads\/2018\/04\/karin_arbetets_glory-212x300.jpg 212w, http:\/\/temporaryart.org\/workawork\/wp-content\/uploads\/2018\/04\/karin_arbetets_glory-768x1086.jpg 768w, http:\/\/temporaryart.org\/workawork\/wp-content\/uploads\/2018\/04\/karin_arbetets_glory-724x1024.jpg 724w, http:\/\/temporaryart.org\/workawork\/wp-content\/uploads\/2018\/04\/karin_arbetets_glory.jpg 1754w\" sizes=\"(max-width: 212px) 100vw, 212px\" \/><\/a><\/h1>\n<p>Seminar May 8 18.00-20.00 short films and talk at <a href=\"http:\/\/www.filmform.com\/\">Filmform<\/a>, Svarvargatan 2, Stockholm.<\/p>\n<p>The subject for the evening is <i>the<\/i> <i>honor of work, <\/i>in Swedish <i>Arbetets \u00e4ra.<\/i><\/p>\n<p>The title is taken from a monument over the working class in Malm\u00f6 created by artist Axel Ebbe in 1929. The sculpture group is placed on M\u00f6llev\u00e5ngstorget, Malm\u00f6 and depicts naked bodies carrying a rock in their bare arms. The industrial skyline of Malm\u00f6 is also depicted on the massive stone. The whole society rests on the shoulders of the working class. That is the honor of work and the workers. But how does this honor look today? In a near future where machines are doing work, together with artificial intelligence, what will happen with the work and the honor?\u00a0 Are we left with the degradation of manual work, where the dirty jobs are managed by underpaid labor living under poor conditions, and on the other hand the magical artistic work?\u00a0 Will machines and artificial intelligence also dream and feel honor and pride?\u00a0 And why must people who have a job work themselves to the point of death? Do we have a Swedish form of the Japanese phenomenon <i>Kar\u014dshi<\/i>(Japanese= death by overwork) or a local variant of the Soviet Stakhanovism? A Lutheran Stakhanovism?<\/p>\n<p>The film program:<\/p>\n<ul>\n<li>Klara Lid\u00e9n (2006) <i>Bodies of Society<\/i><\/li>\n<li>Eva Linder (2005) Paying Tax Is Sexy<i>\u00a0<\/i><\/li>\n<li>Bj\u00f6rn Perborg <i> <\/i>(2018)Wha<i>t\u2019s Important Now is to Feel Bad<\/i><\/li>\n<li>Marie Bondeson<i>\u00a0<\/i>(2002)\u00a0<i>A Ruda Road Movie<\/i><\/li>\n<li>Sara Jorden\u00f6 (2016)\u00a0Diamond People<\/li>\n<li>Johanna Billing\u00a0(2000)\u00a0<i>Project for a Revolution<\/i><\/li>\n<li>Nomeda and Gediminas Urbonas\u00a0(2001) <i>Karaoke<\/i><\/li>\n<\/ul>\n<p>guest: artist and writer Dmitri Plax<\/p>\n<p>curator: Nils Claesson<\/p>\n<p>Presented by WORKAWORK in collaboration with Filmform.<\/p>\n<p>We have a limited amount of seats. Please book a seat in advance.<\/p>\n<p>Write to: <a href=\"mailto:nils.claesson@kkh.se\">nils.claesson@kkh.se<\/a> or text to +46 70\u00a0632 93 69<\/p>\n<p>Free admission<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seminar May 8 18.00-20.00 short films and talk at Filmform, Svarvargatan 2, Stockholm. The subject for the evening is the honor of work, in Swedish Arbetets \u00e4ra. The title is taken from a monument over the working class in Malm\u00f6<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":71,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=\/wp\/v2\/pages\/167"}],"collection":[{"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=167"}],"version-history":[{"count":6,"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=\/wp\/v2\/pages\/167\/revisions"}],"predecessor-version":[{"id":288,"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=\/wp\/v2\/pages\/167\/revisions\/288"}],"up":[{"embeddable":true,"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=\/wp\/v2\/pages\/71"}],"wp:attachment":[{"href":"http:\/\/temporaryart.org\/workawork\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}